MITCH BERMAN |
The Death of Nu-Nu |
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Appeared in the millennium issue of TriQuarterly; nominated twice for the Pushcart Prize; named one of the “100 Distinguished short stories of 2000” by Best American Short Stories 2001.
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No
one at the Café Lucca knew the man’s name, so
you will not learn it from me. No, none of us, neither the regulars nor the
waiters, knew his name, though all of us knew him; or at least we knew who he
was. He was about sixty, more tall than not, more bald than not, more handsome than not. He was thin and his face was thin, with tanned skin stretched to an unglossy tightness around prominent high cheekbones and slightly sunken cheeks and temples. I believe that his eyes, through gold-rimmed bifocals, were blue. He had superb and unvarying posture. All his movements were executed with a firm premeditation that suggested good health, but nothing left of youth. He dressed in a way that
would pass him through He
would establish himself at Table 8 — and if it were not available, he
would shift uneasily and soon depart, leaving a tip that was even smaller
than usual — fix his eyes to the headlines of his clean unfolded copy
of The New York Times, accept his cappuccino and baba
au rhum with such modest word or gesture as the
waiter required, then turn to the crossword puzzle and rapidly complete it,
in ink. Only then would he read anything else in the paper, and he seemed to
read everything else, from the first page of the news to the last of the
classified. He never stayed less than an hour or more than two. When, after
years of faithful attendance, he took an extended absence from the Café Lucca, I did not notice he was gone. And now I will
withdraw from the story, though I am still telling it. I remain at the |
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